![]() Additionally, we retain some of the original reflection. In this case, we can faintly discern the woman’s eye. Doing so can also capture the underlying image data beneath the sunglasses. However, since we are working with a reflection within pre-existing sunglasses, we can take it further and blend them. Now, the composition is considerably more authentic. ![]() To achieve this softening effect, apply a Gaussian blur with a value ranging from 5 to 7. Realistically, the image in the reflection would be less sharp as we focus on the subject. The frame is becoming more realistic, but there is room for improvement. Keep in mind that only a minor adjustment is necessary. In this case, I recommend setting the vignette amount to 500 or higher.Ĭurrently, the reflection appears too bright, so we will introduce an exposure effect and reduce it slightly. Since the affected area is relatively small, you can significantly increase the vignette amount without compromising the overall effect. To achieve this effect, apply a CC Vignette. To replicate the natural convex shape of the lens and the frame, it’s important to note that the outer area of the lens will appear slightly darker than the middle. To enhance the realism of the reflection, apply a bulge effect and increase both the horizontal and vertical radius until it fills the entire frame of the sunglasses. While it might be somewhat acceptable for a still image, it falls short in motion. Restoring the opacity to 100%, you’ll notice that the reflection doesn’t appear quite convincing yet. Step 3: Transforming the Reflective Layer into a Lens To soften the transition between the layers, press F to display the mask feathering options and set it to a value of 2-3. Adjust the position of the reflecting layer slightly, ensuring that the furthest object from the first layer is just slightly out of frame in the second layer. There should be a slight offset between both lenses to achieve a more natural effect. Unlike the scene in The Matrix, we don’t want the reflections to appear identical as it would lack realism. Now, activate reflection layer 2 and position it over the second frame accordingly. Lower the opacity of the reflection layer 1 to 1-10%, and with the pen tool, draw around the inside of the sunglasses frame (make sure you are still working with the reflection layer). Once this is done, duplicate the reflection layer but keep the duplicate layer hidden for now. Continue adjusting the scale until you are satisfied with the size in relation to the lens. Next, import your reflection footage into the composition and decrease its size until it fits proportionally over one of the eyes. In Adobe After Effects, create a new composition and bring your sunglasses footage into the timeline. ![]() However, if a reflection is present, it can be utilized advantageously by employing blend modes. Ideally, starting with empty frames allows for creating the reflective surface from scratch, simplifying the process. The wider the image, the more authentic the reflection will appear. Due to the convex nature of lenses, a slight distortion of the reflection is required. Additionally, it is crucial to capture the reverse shot using a wide-angle lens-preferably as wide as possible. For more complex scenarios, alternative approaches may be necessary. Please note that this technique is designed explicitly for stationary shots featuring subjects in a medium to close-up framing. While there are various techniques to achieve this reflection during filming, let’s explore the most straightforward and most effective approach: creating the reflection in post-production. This iconic scene is notable for its captivating composition, particularly the framing of the shot that reveals the reflection of both pills in Morpheus’ sunglasses. In The Matrix, Morpheus presents Neo with two options: he can either choose the blue pill, leading to the end of their conversation and Neo awakening with the belief that everything was merely a dream, or he can opt for the red pill and uncover the true depths of the rabbit hole.
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